![]() ![]() ![]() ![]() They cover the same terrain, focus on the same works by the same artists, and have the same mission: to document the centrality of decoration-in specific commissions but also more broadly, as a founding principle-in the works of all the Impressionists, with the exception of Alfred Sisley. Two recent publications offer a dramatically new approach to the history of Impressionism: Marine Kisiel’s La Peinture impressionniste et la décoration and Le Décor impressionniste: aux sources des “Nymphéas, ” edited by Sylvie Patry and Anne Robbins, the catalog of a superb exhibition at the Musée de l’Orangerie in Paris in 2022. ![]()
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